I Could Read The Sky, by Timothy O'Grady
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I Could Read The Sky, by Timothy O'Grady
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I Could Read The Sky tells of one man's journey from the West of Ireland to the fields and boxing-booths and building sites of England. Now, at the century's end, he finds himself alone, looking back, struggling to make sense of a life of unforgotten loveliness and loss. Exploring themes of love, dislocation and yearning, with stark, clear prose and stunning photographs, this novel explores the experience of Irish emigration as never before.
I Could Read The Sky, by Timothy O'Grady- Amazon Sales Rank: #479637 in eBooks
- Published on: 2015-05-14
- Released on: 2015-05-14
- Format: Kindle eBook
From Publishers Weekly This is a quietly ambitious, grave and earnest book that mixes the elegiac prose of Chicago-born novelist O'Grady (Motherland) with the haunting photographs of Englishman Pyke to establish, remarkably, a quintessentially Irish novel. It's a tale, in the form of a lament, about sadness, longing and resignation, the story of a west of Ireland man who leaves for England in search of work sometime in mid-century. O'Grady's text consists of impressionistic sketches of a hard but colorful youth left behind, of an entire family marked by poverty and transformed by the dire requirements of growing up poor. It's all recalled from a kind of old-folks home, as the narrator remembers the things he could do?"Thatch a roof. Build stairs. Make a basket from reeds.... Read the sky.... Remember poems"?and those he could not?"Eat a meal lacking potatoes. Trust banks. Wear a watch.... Win at cards. Acknowledge the Queen.... Kill a Sunday. Stop remembering." The keening of the narrator is peculiarly uplifting, distinguished by a teary-eyed lucidity. Pyke's photos support this mood like a fiddle might back an Irish air. Unrelated in subject matter to the text, the images nonetheless underscore displacement while extending the sense of loss into real bogs and real faces and incredibly gnarled "spalpeen" hands. Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews The Chicago-born O'Grady (Motherland, 1990) and Britisher Pyke collaborate to form an unusually expressive book of visual and written images, photos enhancing the mournful, lyrical story of a musical Irishman's migration to England in search of fieldwork and other hard labor--and finding the love of his life only to lose her. As he remembers the past, the narrator fixes images of an impoverished farm childhood in Labasheeda: music and the accordion become integral parts of his life, while siblings and neighbors leave home to seek fortunes abroad. His first love goes unrequited, and work as a hired farmhand on Irish soil hastens the day of his own departure, when Ma packs sandwiches, eggs, and a rosary, and Da won't say goodbye. In England, digging potatoes gives way to a transient life of factory work and road repair, with music in the pub of an evening. Da dies, then Ma, and the deep black laborer's hole the narrator is in seems about to claim him for eternity, until Maggie gives a glow to his life with her quick wit as he draws her in with his reels and laments. But when Maggie dies shortly after the two have married and returned to Ireland, all light is extinguished and only the familiar, anonymous toil the bereaved husband had known in Britain can offer comfort until time heals the wound. A tale of sorrow, finely told and delicately illustrated. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Review I Could Read the Sky . . . speaks in the manner of an important work of art, memorably and beautifully. -- Anthony Cronin, Dublin Sunday IndependentIf the words tell the story of the voiceless, the bleak, lovely photographs that accompany it show their faces . . . Fiction rarely gets as close to the messy, glorious truth as do memories and photographs. This rare novel dares to use both. -- Charlotte Mendelson, The Times Literary Supplement
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11 of 11 people found the following review helpful. Are you interested in Irish culture and literature...? By 9859144@student.ul.ie ... then buy, borrow or steal a copy! Never before have I read such a good exploration of Irish exile. Stranded in a dismal flat in England, the protagonist remembers his happy childhood in Ireland, the rough living and working conditions in England, and his only love. The language is quite simple and often Hiberno Irish, but deeply imaginative and so lyrical, that the line between prose and poetry gets blurred. The beautiful black/white pictures added to this book, and the author's ability to portray Irish music help to give an insight into Irish culture. Sometimes it's like watching a documentary, and suddenly you can't help but feeling you're listening to a song; a song of heartache and terrible longing. Despite far from being soppy the book is very moving in the end; you actually hope for a happy ending. But that wouldn't be Irish.
6 of 6 people found the following review helpful. A lyrically crafted novel about dislocation and exile By Sunil Govinnage I am very familiar with the works of old time Irish writers including the works of James Joyce who wrote about Ireland in exile. I still don't know much about modern Irish novelists until I had the opportunity of meeting and listening to parts of Timothy O'Grady's novel at Perth Writer's Festival early this year. Immediately afterwards I bought a copy and later talked to Timothy briefly about writers in exile and their struggle with dislocation. This story is not only about dislocation and exile. This is the story of a man coming of age and following a journey during which he struggles to make sense of his life, dislocation, loss of love and loneliness.This lyrically crafted novel is a great collaboration between O'Grady and photographer Steve Pyke. They collectively create a visual journey of a musical Irishman, his journey from one location to another, looking for work and the love of his life. O'Grady's begins his novel with a description of the protagonist's life back at home as a child:"This room is dark, as dark as it ever gets - the hour before dawn in winter. I have sounds and pictures but they flit and crash before I can get them..."For me, it is a metaphor of not been able to recreate the places and the people he left behind as a result of his journey.O'Grady ends his novel with a similar narrative:"In the room now a breeze comes in through the window and on it there is the smell of spring. Downstairs the girl turns on her radio... There is a time after long work when you can look for strength and there is nothing there....In the morning light I let go."In between, we learn about his journey, his recollection of Irish landscapes, the places left behind, the music he played and his love. But this is not just a mere description of a nostalgic mental journey of an Irishman in exile. This can happen anywhere, anytime, and to anyone.Reading this novel is like watching a visually crafted documentary embedded with voice and music that we can see and hear.I'm glad that I met O'Grady and read his novel as my introduction to modern Irish novelists. But this novel had another positive effect on me. When I met O'Grady I was writing a novel about my own dislocation. This novel inspired me to look at my private journey again and again, and continue my writing in exile!I recommend this book to anyone interested in the beauty and tragic of moving from one place to another.
5 of 5 people found the following review helpful. Beautiful and tragic By A Customer This book is beautiful and tragic and joyful and moving, all at the same time and independently over the course of the story. Through the poetic language of the text and the poetic imagery of the photos, the drama of every day life in Ireland is brought across as quietly epic, if such a thing can be.
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